FORART

FORART Lectures

Christopher S. Wood on Les Intentionnistes: Monet, Elstir

FORART Lecture 2024

Fred Moten on Observance and Observation

FORART Lecture 2023

Julia Bryan-Wilson on Embellished Art Histories

FORART LECTURE 2022

Liam Young: Planet City and the Return of Global Wilderness

FORART LECTURE 2021

Whitney Davis on Pictorial Art and Global Psychological Modernity

FORART LECTURE 2019

McKenzie Wark on Molecular Red

FORART LECTURE 2018

Darby English on Social Experiments with Abstract Art

FORART LECTURE 2017

Sianne Ngai: Theory of the Gimmick

FORART LECTURE 2016

Tom Eccles – Everything Will Be Alright

FORART LECTURE 2015

Catherine Malabou on Plasticity: The Phoenix, The Spider and The Salamander

FORART LECTURE 2014

Mark Wigley: Architecture in the Age of Radio

FORART LECTURE 2013

Christophe Cherix: Collecting Conceptual Art: How to Buy an Idea

FORART LECTURE 2012

Hal Foster: On Post Criticism

FORART LECTURE 2011

Mark Hansen: Recording (for) the Emergent Future, or Data and Experience in 21st-century Media

FORART LECTURE 2010

Molly Nesbit: Gordon Matta-Clark in Italy: Communities Organizing Futures

FORART LECTURE 2009

Alexander Alberro: Periodizing Contemporary Art?

FORART LECTURE 2008

Erik Alliez: Spectres of Seurat (Or, Seurat versus Duchamp)

FORART LECTURE 2007

John Rajchman: Thinking in Contemporary Art

FORART LECTURE 2006

Arthur C. Danto: The Future of Aesthetics

FORART LECTURE 2005

Daniel Birnbaum: “Who is me today?”

FORART LECTURE 2004